Mark Stewart Iverson – For Prophet
We had the opportunity to interview Mark Stewart Iverson, the filmmaker of “For Prophet”. “For Prophet” is an official selection of the 12th annual Utah Film Festival.
“For Prophet” is about A struggling entrepreneur that encounters the Archangel Raphael, who reveals that he is chosen by The Most High God to be a part-time prophet, tasking him to save his crumbling and corrupt hometown. Oh and he also battles a literal demon everyday in the form of an ever-present Cameraman that he “hallucinates”. His marriage, his business and his sanity will all be pushed to the limit on his spiritual quest to find faith.
What was the inspiration to make “For Prophet”?
I spent many years trying to make a feature and failed with three other scripts — not enough money, talent dropping out, script developments issues, etc. Finally I wrote For Prophet, merging two separate ideas, and the script came together beautifully. Everyone loved it, the money lined up and I cast amazing actors.
From idea to completion, how did this production change?
Every step of the way the film changed. I wrote 9 drafts of the script, we improvised a fair amount on set and working with all the different heads of departments really pushed the evolution of this concept. I even re-wrote the whole script based on some casting choices, and then in the editing room we shaped everything around the best performances and scenes. Even to this day we are adding another scene before we distribute the film next year! Always writing because re-writing is writing!
What was the biggest challenge in getting “For Prophet” made?
Building the financing over years, including putting up half the money myself. Paying for the film and directing simultaneously is hands-down the most difficult thing any filmmaker can do. And although it was beyond stressful… we did it. And it all came together!
What do you think is the most important takeaway from your film?
Listen to the Angel voice, not the Demon voice. Follow that voice even if it sounds crazy and especially if it’s hard. The demon voice is negative and easy — never follow that one!
If you could have a do over with “For Prophet” is there anything that you would do differently? If so, what would that be?
Probably try and squeeze in another re-write before production (would have helped in the editing room). Also, always cast the better actor: no matter the audition or the look of the other actor. There’s one casting mistake I made that I learned this lesson from.
What do you have next in the works?
My next script is ready to rock! STEALING MOM is about two estranged siblings who steal their mom’s casket the night before her funeral in order to fulfill her final wishes.
How can we learn more about you and your projects?
@msifilms (IG/FB)
