“The System” Challenges Healthcare Through Indie Lens

We are Interviewing filmmaker Bryan McGlothin about his latest film “The System” which sheds light on the struggles faced by individuals navigating the intricate web of healthcare bureaucracy. Written and directed by McGlothin, the film draws inspiration from personal experiences, bringing to the forefront the complexities of medical care in rural America.

McGlothin shared that the origins of “The System” was rooted in his step-father’s battle with cancer. Living in a remote area of Oklahoma, the lack of accessibility to healthcare specialists posed a significant challenge. The sole cancer specialist, located a hundred miles away in Tulsa, was only available for two days a week, creating a frustrating and difficult situation for patients.

“I encouraged my step-father to be the squeaky wheel,” McGlothin explained, emphasizing the need for patients to advocate for themselves in the face of systemic challenges. However his step-father, a stoic country man, resisted bothering medical staff holding onto the belief that they would reach out when ready.

This reality forms the central theme in “The System,” highlighting the human cost of a healthcare system mired in charge codes and logistical hurdles.

Delving into the production aspects, McGlothin expressed a deep connection to the creative process. As a writer, director, and editor, he finds fulfillment in crafting stories that resonate with personal experiences. 

“I have never sat down to write a genre of story. I only write what I’m inspired to write. Due to life experiences, most everything in my mind is dark, though not horror.”

Drawing from his background as an actor and a teacher of Acting For The Camera, McGlothin emphasizes the importance of understanding the actor’s craft, making the process of translating his vision onto the screen immensely rewarding.

“I was an actor first. I joined Screen Actors Guild in 1999. And I’ve taught Acting For The Camera at Columbia Basin College for 14 years. I believe these experiences give me great advantage in directing actors.”

Our interview also reveals the challenges inherent in indie film production, with McGlothin citing time as a critical factor. The perpetual need for more time, whether to capture the perfect shot or allow actors to reach their optimal emotional states, underscores the scarcity of time and resources in the indie filmmaking landscape.

“TIME is money and money is a scarcity in indie film production.”

When asked about advice for aspiring filmmakers, his response was succinct: “Just do it.” McGlothin encourages newcomers to immerse themselves in the world of filmmaking, whether through jobs at local production companies, creating movies as a hobby, or even shooting on a phone—emphasizing the value of study and practice in honing one’s craft.

For those interested in following or learning more about McGlothin’s work, River Road Media serves as the hub. McGlothin actively engages with the audience through Facebook and YouTube and invites those interested to delve into the world of indie filmmaking and stay updated on upcoming endeavors.

“The System” is an Official Selection of the Utah International Film Festival and will screen at Maven Cinemas in American Fork, UT. The festival runs February 12-17 in Utah County.